1. I Got To Know See All 2			
2. Stop the Game			
3. Motor City II			play
4. Everlastin' Tears			
5. Greezy			
6. Changes			
7. Long Time			
8. Seven Days			
9. Zero			
10. Wagon Wheel		play
	
Deborah Coleman (vocals, guitar); 
Bill Crawford (guitar, acoustic guitar); 
Jerome Heitman (bass guitar); 
Neil Shull (drums).

Guitarist Deborah Coleman plays blues informed by classic rock, with a deft, melodic hand and a deep, throaty voice that ranges from sobbing sorrow to a tough growl. This 2007 release doesn't stray far from her usual MO, but offers the same high-quality playing and singing. Highlights include album-closer "Wagon Wheel," a frisky number with a Western swing bounce. ---John Stedman

After a couple year layoff, Deborah Coleman comes back with a really strong release. A hard rocking set, this features a couple of instrumentals- one in a country blues vein. The "Changes" is a cover of Buddy Miles "Them Changes" and it is a good one. Very good CD here and this should please fans of modern blues. ---K. Cooper, amazon.com

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1. Love Moves Me	3:26
2. Goodbye Misery	3:20        play
3. Hain't It Funny	4:16
4. Travelin' South	4:05
5. The Dream		4:02	
6. Walk Your Walk	4:19
7. They Raided The Place	3:34
8. Do You Want My Love	3:45
9. On The Hunt	3:48
10. Beside Myself	3:30         play
11. Nobody To Blame	3:50

Deborah Coleman (vocals, electric & slide guitars); 
James Solberg (guitar); 
Joanna Connor (slide guitar); 
Mike Vlahakis (keyboards); 
John Lundberg (bass); 
Robb Stupka (drums); 
Ollie Bolds (background vocals).

This is guitarist Deborah Coleman’s second album for Blind Pig Records. Coleman has been making quite a name for herself, having been nominated for several prestigious blues awards and putting on shows that are fast becoming sold-out affairs. But then, that comes as no surprise to those who have heard her; Coleman's exquisite guitar work is seamless. Put a Fender in her hands and it takes on a life of its own. Deborah's vocals are intense--full of feeling without sounding trite or pretentious. Her influences range from Albert Collins and Freddie King to Jimi Hendrix. Check out "Travelin' South" for high gear excitement, or the sporty "They Raided the Joint." This is straight- ahead blues without frills or filler. Throughout the album, she gets ample support from members of the late Luther Allison's band. Coleman definitely has it, and you can get it for yourself on this release. --Lars Gandil

It's not easy making your mark as a modern blues artist. It's hard enough to keep from getting bogged down by tradition, never mind establishing an individual artistic voice. Deborah Coleman seems to have her own solution to that problem: throw tradition out the window. On WHERE BLUE BEGINS the formidable guitarist/vocalist takes the considerable lessons she's learned from the blues and applies them to a fresh-sounding musical stew that includes rock, funk, blues, R&B and more. A staunch modernist, her slide work is more Duane Allman than Elmore James, and her choice of material is eclectic to say the least, ranging from Jane Siberry ("Hain't It Funny") to Louis Jordan ("They Raided the Joint"). Blues purists probably won't come anywhere near this album, and they'll never know what they're missing.

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1.	Brick
2.	My Heart Bleeds Blue
3.	Don't Lie to Me
4.	I'm a Woman	
5.	You're With Me  play
6.	I Believe         play
7.	Dream, The
8.	Goodbye Misery

Deborah Coleman (vocals, guitar); 
Billy Crawford (guitar); 
Debra "Nardi" Salyer (bass, background vocals); 
Jason Paul (drums).

A powerful guitarist and an expressive vocalist, Deborah Coleman is a major force in the blues world. On Soul Be It, a well-rounded live set by her quartet, there are many highlights, including the rousing opener ("Brick"), the minor-toned blues "My Heart Bleeds Blue," the bluish romp "Don't Lie to Me," and a jump blues, "I Believe." However the most memorable selection is "Goodbye Misery," which has a marathon solo by Coleman that is full of fire and creative ideas. This highly enjoyable set serves as a perfect introduction to the music of Coleman. ~ Scott Yanow, allmusic.com

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