1 When I Get Drunk 5:51
2 So Sad to Be Lonesome 4:15
3 Hip Shakin' 4:00
4 Pony Blues 5:44
5 Bloody Murder 5:02
6 Pay Bo Diddley 5:05
7 When the Welfare Turns Its Back on You 4:56
8 Give Me Back My Wig 4:14
9 How Many More Years 4:41
10 Mean Mistreater 4:23 

Bass – Glenn Worf
Drums – John Gardner
Guitar, Harmonica, Vocals – Mike Henderson
Piano – Reese Wynans

First Blood harks back to the glory days of the '60s blues-rock boom -- Mike Henderson and the Bluebloods' gritty sound is far from original, but years on the Nashville bar band circuit have honed their skills to a razor-sharp point, and the record is refreshingly raw and direct, distinguished by rock-solid musicianship. ---Jason Ankeny, allmusic.com

The Bluebloods’ debut effort is a knock-your-socks off collection of blues standards performed in respectfully modernized arrangements. This is a bar band supreme, as recognized by the liner notes author, Mark Knopfler. It’s pretty rare these days for a band to start out with an album of covers, but sometimes you wish a lot more bands did. The choice what to cover is always interesting , and the ‘bloods are no exception. "Pay Bo Diddley"? While you surely admire the sentiment, why this odd corner of the Diddley canon? Who knows, or cares, when you’ve got a band chunking out that Bo Diddley beat with the fervor these guys do. "Give Me Back My Wig"?–I never understood where that song was coming from, but again, the Bluebloods rock it out with a vengeance.

The set spans the blues spectrum, and Henderson practically squeezes tears from his guitar on "When the Welfare Turns its Back on You". The instrumentation is vintage, with Silvertone guitar and upright bass, and you can practically smell the overheated tubes on some of these numbers. Reese Wyans played piano for Stevie Ray Vaughn, and shows off some fine licks on "So Sad to Be Lonesome." If you’re lucky enough to have the Bluebloods playing in a nearby tavern, don’t pass the chance to see these guys live. Till then, slide First Blood into the CD tray, and settle back for some fine blues. ---Bill Kuhn, jellyroll.com

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1	I Want To Know Why	4:28
2	Send You Back To Georgia	4:22
3	It's Alright	3:55
4	If You Think It's Hot Here	5:57
5	Weepin' And Moanin'	5:39
6	Mean Red Spider	4:48
7	Possession	6:37
8	Unseen Eye	5:00
9	Matchbox	3:05
10	Gambling Blues	5:37
11	Rock House Blues	2:02

Backing Vocals – Chris Stapleton (tracks: 4), Morgane Stapleton (tracks: 4)
Bass Guitar – Michael Rhodes
Drums – Pat O'Connor
Guitar [Additional Musician] – Don Underwood (tracks: 4)
Lead Vocals, Guitar, Harmonica – Mike Henderson
Piano, Organ [B3] – Kevin McKendree

Blues fans may recall guitarist Mike Henderson from the two well-received recordings he released with his band the Bluebloods more than fifteen years ago. Some people may remember him as the original guitar player for the Bel Airs. Other listeners may have heard his two country projects or more recently his part in the popular bluegrass band, the Steeldrivers. Henderson is also an accomplished songwriter with a number of hits to his credit including “Powerful Stuff,” done by the Fabulous Thunderbirds. You can count Emmylou Harris and John Hiatt among the artists who have utilized Henderson’s guitar skills on their own album projects.

For his first release on the EllerSoul label, Henderson is back playing the kind of low-down blues that would be the perfect soundtrack for a night in any beer-soaked roadhouse across the country. The disc opens with the dark, foreboding sound of his slide guitar on “I Wanta Know Why,” followed by the first of two Hound Dog Taylor covers. “Send You Back To Georgia” gets a rousing treatment with Kevin McKendree, formerly with Delbert McClinton, pounding the piano with the gusto of Jerry Lee Lewis before Henderson uses his slide guitar to whip things into a frenzy. Michael Rhodes on bass and Pat O’Connor on drums create the propulsive drive on “It’s Alright,” with McKendree’s rollicking solo eclipsed by some rambunctious slide from the leader.

The disc has a darker-hued, foreboding sound that works particularly well on the Robert Johnson classic, “If I Had Possession”. Henderson’s fingers dance around the fretboard on the taut opening segment. Then the band joins in, setting up a loose shuffle behind some stirring barrelhouse piano from McKendree. A rough-hewn version of “Mean Red Spider” features a straight-forward, sturdy vocal from Henderson bolstered by McKendree’s sparkling runs. The pace slows on Sonny Boy Williamson’s “Unseen Eye,” with Henderson’s stinging licks creating a web of pain & sorrow. On the title track, he wonders what is in store for those who leave this life only to find the pearly gates shut tight.

Other standout tracks include the original “Weepin’ and Moanin’,” with McKendree channeling the best of the traditional Chicago blues piano style. Henderson unleashes another string-bending gem of a solo over the swaggering pace of “Gambler’s Blues,” giving us a ferocious reminder of the perils of trying to beat the odds. A soul-shaking take of “Matchbox” rocks with the intensity of a sanctified preacher. “Rock House Blues” closes the disc with Henderson blowing some harp over relaxed, steady-rolling accompaniment from McKendree’s piano.

If you are ever in Nashville on a Monday night, make a point to get to the Bluebird Café to hear Mike Henderson tearing it up live & in-person. Just make sure you get there real early if you want to get a foot inside the door. In the meantime, grab a copy of this release, turn it up loud and enjoy a band with a no-frills approach powered by the instrumental prowess of Henderson & McKendree. Heartily recommended! ---Mark Thompson, bluesblastmagazine.com

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