Side 1
1) Sugar Bee (Jay Stutes) 
2) Lonely Feeling (Van Preston) 
3) Boogie In The Mud (Danny James) 
4) Don't Drive Me Deeper (Lee Bernard) 
5) Do Your Stuff (Rockin' Sidney) 
6) Someone Else On Your Mind (Van Preston) 

Side 2
1) Crazy Cat (Dell Mack)
2) My Lonely Retreat (Van Preston)
3) Feel Delicious (Rockin' Sidney)
4) Tell Me Baby (Lonnie Brooks (Guitar Jr.)
5) Our Love Will Always Be (Lee Bernard)
6) Blues Train (Danny James)

Some nice Cajun, Swamp Pop from the Goldband label. Rockin'Sydney, Lonnie Brooks, Dell Mack amongst others including the worst crap Ive ever heard from Danny James. Hear him "sing" Boogie In The Mud and wonder why they didn't bury him in the mud then and there and forget about him. OK, "Blues Train" has some good guitar work on it and no vocals. Danny must have been taking a piss when they taped it and he got the credit because he did't ruin it. It seems Danny played guitar and it's a good track (Blues Train)... so Danny can't sing but plays a mean guitar and I take back what I said about him taking a piss. --- dontaskmeidontknow.blogspot.com

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Vol.1
1- L'Orchestre Antillais - Sepent Maigre
2- Orchestre Creol's Band - La Georgi-Nana
3- Orchestre Creol's Band - Armide							play
4- Creol's Band Du Bal Colonial De La Rue Blomet - Pamela
5- Creol's Band Du Bal Colonial De La Rue Blomet - Maracajbo
6- Orchestre Du Bal Antillais - A Si Pare
7- Orchestre Du Bal Antillais - Soigne I Ba Moin
8- Orchestre De La Boule Blanche - C'est Biguine
9- Orchestre Creole Delvi - Ba Moin En Ti Bo Doudou
10- Tom Et Ses Juniors Guadeloupeens - Robes A Queues
11- Orchestre Guyanais De M. Henri Volmar - Mouvements D'avions
12- Orchestre Creole Delvi - Du Feu Pri En Tete Man Norde
13- Nelly Lungla - Me Gade Yo
14- Duo De Guitares Par Pollo Malahel Et Benjamin Gerion - Gros Sou
15- L'Orchestre Guadeloupeen A. Kindou - Celestin Roi Diable
16- Piano Par Les Freres Martial - Krakador Bon Ti Coin Capesterre La
17- Stellio Et Son Orchestre Creole - Eti Tintin
18 - Orchestre Creole Matou - Ti Joseph A Josephine

Vol.2
1.Abel Beauregard & B. Colson/Moin Aimé Doudou Moin 
2.E. Delouche/Gepe Ka Piké 
3.Stellio/Camélia 
4.Stellio/Renée 
5.E. Delouche/Martinique 
6.E. Delouche/Complainte 
7.Aljean & M. Noiran/Negues Bon DéfençEus 
8.Jazz Sam Castendet/Bossu Doudou 
9.E. Delouche/Naomi 
10.Pollo Malahel & E Delouche/Les Deux Jumeaux 
11.E. Delouche/Sous Les Tropiques 
12.Alphonse & Noiran/Souvenirs De Saint-Pierre 
13.Lirvat & Aureste/Touloulou Mi Touloulou A Ou La		play 
14.F.W. Clements/Jeanne Et Marcelle 
15.MaïOtte Almaby/Ma Goulou Goulou 
16.Pé-En-Kin/1-2-3 La Vandé 
17.Alphonse & Berté/Sur Les Flots Aux Antilles 
18.Alphonse/Pot-Pourri Biguine

The term "Creole music" is used to describe both the early folk or roots music traditions of the mixed race rural Creoles of South Louisiana and the later more contemporary genre called zydeco. It was often simply called French music or Lee La. It was sung in French patois by Creoles of African, French and Spanish descent. This early American roots music evolved in the 1930s into a richer sound accompanied by more instruments. Creole pioneer Amede Ardoin is said to be the first Creole to record this indigenous music. He has also been credited for greatly influencing the foundation of traditional Cajun music. Melodies from pioneers like Ardoin provided a basis for works by composers Louis Moreau Gottschalk and Moses Hogan and others. Southern Black music traditions in the US have been known to change and evolve as quickly as they were being replicated by white artists, the music of the Creoles also eveolved into a more contemporaty amplified sound that was later called zydeco, which is the indigenous music of the Creoles or "Creole music". Zydeco comes from African words "zari, zarico, zodico zai'co" meaning "to dance or dance". Zydeco fused the traditional Creole roots music sang in French with contemporary sounds making it relevant, dynamic and constantly attracting a new generation of listeners within the Creole community as well as outside the community.

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1 Nathan Abshire - Crying Pinegrove Blues
2 Nathan Abshire - Chere Te Mon
3 Lawrence Walker - Mamou Two-Step								play
4 Lawrence Walker - Country Waltz
5 The Texas Melody Boys - Old Time Waltz						play
6 The Texas Melody Boys - Ain't No More
7 Harry Choates - Valse de Lake Charles
8 Harry Choates - Jolie Blon's Gone
9 Floyd LeBlanc - Orphan Waltz
10 Floyd LeBlanc - Louisiana Stomp
11 Lawrence Walker - Tu Le Du Po La Mam (Both For the Same)
12 Lawrence Walker - Ton Papa Ta Mama Ma Sta Da All (Your Mom and Dad Threw Me Out)
13 Lawrence Walker - Evangeline Waltz
14 Lawrence Walker - Reno Waltz
15 Lawrence Walker - Boscoe Stomp
16 The Musical Four Plus One - Tran La Ezy
17 Vincent & Cagley - Lawtell Two-Step
18 Elise Deshotel with Dewey Balfa - La Valse de Bon Baurche
19 Elise Deshotel with Dewey Balfa - Le Two-Step de Ville Platte
20 Elise Deshotel with Dewey Balfa - La Valse de Courage
21 Elise Deshotel with Dewey Balfa - La Valse de Tamper Tate
22 Shuk Richard & Marie Falcon - Le Cote Farouche de la Vic
23 Shuk Richard & Marie Falcon - Jole Brun
24 Two-SteShuk Richard & Marie Falcon - Madame Entelle Two-Step
25 Lawrence Walker - Waltz of Regret
26 Lawrence Walker - Wandering Aces Special
27 The Boggie Beat'll Getcha If You Don't Watch Out.

Personnel: 
Dewey Balfa (vocals, fiddle); 
Pee Wee Pitre, Jake Miere, Marie Falcon, Edwin Duhon, Mitch Davy, 
Lawrence Walker, Nathan Abshire (vocals); 
Elise Deshotel (slide guitar, steel guitar); 
Maurice Barzas (accordion); 
Esther Deshotel (drums).

Drawn from the vaults of the Khoury's label and its Lyric Records subsidiary, the 26 sides here date from the late 1940's and early 1950's. This is some of the best documentation available of what was a thriving music scene, spawned by the absence of younger players during the mid-1940's (they were off fighting the war), leaving the field to older musicians, who played Cajun music and found an audience in local clubs and an outlet in these two labels. Nathan Abshire's 1949 hit "Pinegrove Blues" got the ball rolling, and all of the 26 sides here (including Abshire's "Crying Pinegrove Blues") were spawned from that beginning. The sides here, in addition to Abshire's "Crying Pinegrove Blues," include various waltzes, stomps and blues laments by the Texas Melody Boys, Harry Choates ("Valse de Lake Charles," "Jolie Blon's Gone"), Floyd LeBlanc, Elise Deshotel with Dewey Balfa (his first four records), Lawrence Walker (his five earliest sides), and Shuk Richard and Marie Falcon. The focus may be history, but sound is also astonishingly good, incidentally. --- Bruce Eder, AMG

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