1.  My Shining Hour (Harold Arlen/Johnny Mercer) 2:10
2.  Teach Me Tonight (Gene De Paul/Sammy Cahn) 3:05
3.  Work Song (Nat Adderley/Oscar Brown, Jr.) 2:12
4.  Why Try To Change Me Now (Cy Coleman/Joseph A. McCarthy) 3:24
5.  Blues For Mr. Charlie (Bobby Sharp) 3:43
6.  April In Paris (Vernon Duke/E.Y.Harburg) 2:51
7.  New York City Blues (Peggy Lee/Quincy Jones) 2:51
8.  You're Nobody Till Somebody Loves You (James Cavanaugh/Russ Morgan/Larry Stock) 2:58
9.  She's A Woman (W-O-M-A-N) (Jerry Leiber/Mike Stoller) 2:21
10.  The Girl From Ipanema (Antonio Carlos Jobim/Vinicius De Moraes/Norman Gimbel) 4:07
11.  Keepin' Out Of Mischief Now (Andy Razaf/Thomas Waller) 2:51
12.  Bill Basie Won't You Please Come Home (Quincy Jones/Count Basie/Sammy Davis Jr.) 2:38

Personnel:
Count Basie - piano
Sammy Davis Jr. - vocals
Quincy Jones - arrangements
Count Basie Orchestra

This is one of popular entertainer Sammy Davis, Jr's best jazz-oriented albums. The CD reissue features Davis with the Count Basie Orchestra performing arrangements by Quincy Jones. Unfortunately, the personnel of the Basie band is not given, but the orchestra mostly acts as a prop behind Davis much of the time anyway. The singer is heard in top form on "Teach Me Tonight," "Work Song," and "Keepin' out of Mischief Now," adding a bit of tap dancing to a lighthearted "Bill Basie Won't You Please Come Home." Some of the more poppish tunes, such as "Blues for Mr. Charlie" and "She's a Woman," are a bit dated, but, in general, fans of Sammy Davis Jr will want this set. --- Scott Yanow, Rovi

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1. Lot of Livin’ to Do
2. Begin the Beguine
3. My Romance
4. Too Close for Comfort
5. Soon
6. Falling in Love With Love			play
7. Thou Swell
8. Can’t We Be Friends?
9. Guys and Dolls
10. Blame It on My Youth
11. Let There Be Love
12. Bye Bye Blackbird					play
 

Personnel includes: 
Sammy Davis, Jr. (vocals); 
William Hood, Bud Shank, Bill Perkins (reeds); 
Jack Sheldon, Al Porcino, John Audino (trumpet); 
Vincent DeRosa (French horn); 
Stu Williamson (trombone); 
Red Callender (tuba); 
Joe Mondragon (bass).

The figure of Sammy Davis Jr. is an important one in American pop-culture; however, today we frequently only recall his image as a flamboyant Rat-Packer with a glass eye. A listen to this CD will restore this legendary performer's legacy.

THE WHAM OF SAM reveals an exceptional set of skills. "Thou Swell" and "Falling in Love With Love" are roller-coaster rides of tempo twisting phrasing. "Begin the Beguine" is stunning, as Davis takes on Cole Porter's difficult composition without instrumental assistance. "Bye Bye Blackbird" finds him showing off his range, from high notes to low and from wailing to crooning. Sammy Davis Jr. was a singer of tremendous talent with a jazz-influenced approach. Sensitive to the songs despite his firecracker style, Davis's place in the pantheon of American entertainment is confirmed by these tracks. ---cduniverse.com

Not to be confused with the 1961 Reprise album of the same name, the 1994 Sammy Davis, Jr. reissue The Wham of Sam! brings together the prime cuts of the artist's early-'60s collaborations with arranger Marty Paich and his Dek-Tette. The combination of Davis' varied and rhythmically sophisticated vocal delivery and Paich's involved yet very swinging arrangements produce consistently high quality performances over the 12 tracks here. Unfortunately, these sessions would not set the pace for Davis' subsequent output, as he opted to satisfy the record industry's hunger for one-dimensional pop covers instead. On The Wham of Sam sessions, Paich was following up on his justly famous Dek-Tette recordings with a singer more successful at transcending pop trends, Mel Torme. Davis, though, found his own voice by the late '50s, and Paich spotlights the mature style here by playing to his unerring sense of rhythm and fine ballad phrasing. On both "Too Close for Comfort" and "Falling in Love With Love," the artist deftly glides in and out of fast tempo changes without compromising his Torme-like elastic phrasing. He does justice to some well-worn ballads as well, with his renditions of "My Romance," "Soon," and "Blame It on My Youth" ably demonstrating his wide vocal range amidst the unfettered support of Paich's economical arrangement. "Can't We Be Friends" and "Bye Bye Blackbird" turn a bit noir-ish, as Davis' loping and smoldering voice glide above the nocturnal pulse of Joe Mondragon's walking bass. The Wham of Sam! could well be the one Sammy Davis, Jr. collection which spotlights practically all his many vocal talents, so both new fans and old should have this one in their collection, not least of all for the somewhat rare chance to hear how the artist could shine with stellar backing and top-drawer arrangements. --- Stephen Cook, allmusic.com

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