01. New Year's Day 9:48
02. The Steppes 10:38
03. Quick 13:25
04. Narrow Road 7:31
05. Abyssinia 11:58
06. Blame It On My Youth (fade in) 4:48

WDR Bigband
Chris Potter – Tenor Sax & Conduct 

Recorded at Robert Schuhmann Saal Düsseldorf, Germany, 2013-10-12

Chris Potter zählt mit seinem energetisch-intuitiven Saxofonspiel zu den prägendsten Jazzmusikern der jüngeren amerikanischen Szene. Und auch als Komponist hat er sich mit seiner versierten Arrangiertechnik einen Namen gemacht.

Die WDR Big Band konnte sich von Potters versierter Arrangiertechnik im Oktober 2013 beim Projekt "Modern Minds" ein detailliertes (Klang-) Bild machen. In der Zwischenzeit hat Potter neue Stücke geschrieben, die er im Gepäck hat, wenn er mal wieder Station bei der WDR Big Band in Köln macht. --- www1.wdr.de

download (mp3 @320 kbs):

yandex 4shared mega mediafire zalivalka cloudmailru oboom uplea

back

1.Jenny's Room (8:51)
2.Pan Woman (8:39)
3.Babe Of The Day (8:17)
4.Shadow Play (8:40)
5.Groove Town (8:11)
6.Orange Guitars (11:08)

Vince Mendoza - conductor
Andy Haderer, Rob Bruynen, Klaus Osterloh, Rick Kiefer, John Marshall - trumpets
Dave Horler, Ludwig Nuss, Bernt Laukamp, Lucas Schmid - trombone, bass trombone
Olivier Peters, Rolf Romer - tenor saxophones
Jens Neufang - baritone saxophone
Heiner Wiberny - alto saxophone
Dario Eskenazi - keyboards
Michel Alibo - bass
Peter Erskine - drums
Andy Narell - steel drums
Ray Holman - steel drums
Tom Miller - steel drums
Alan Lightner - steel drums
Luis Conte - percussion
Marcio Doctor - percussion
David Rudder - vocal (5)

This is an album of previously unreleased music of the WDR Big Band conducted by master composer/arranger/conductor Vince Mendoza, recorded back in 1997 (!) in the WDR studio in Cologne, with Andy Narell on steel drums and Peter Erskine on drums as the main guests.

The reason why it has taken so long for this wonderful music to be finally released after 13 years is unclear to me, as the quality of the music is out of discussion. In fact, the CD is worth purchasing for the first song alone, which is wrongfully credited in the booklet to calypso maestro David Rudder (who guests on the one disappointing album track Groovetown, which is written by himself and features his - to my ears - poor singing, fortunately the only vocal track on the album) instead of the real composer Andy Narell: the big band arrangement (by Tom Scott) of this extremely lyrical composition takes the subtle theme to a glorious euphoric climax with the brass and reeds full throttle and backed by the incomparable dynamic drumming of Peter Erskine (without a doubt the best big band drummer around). Andy Narell also contributes his delightful composition "Shadowplay" (originally featured on a Caribbean Jazz Project release with Dave Samuels and Paquito D'Rivera).

Vince Mendoza is featured with two compositions: a latinized/caribbeanized version of his unbelievable tune "Babe Of The Day" (originally featured as the opening song of his must-have album "Start Here" back in 1989) and "Orange Guitars" (originally featured on Jimmy Haslip's "ARC" album), which showcase Vince's very original tonality and his arranging qualities. Even though to my opinion the re-arranged "Babe Of The Day" is not entirely successful in its new tropical conception, it still provides for a dazzling performance by the entire big band and, again, of Peter Erskine, keeping the forward motion along with the song's shifting meters. The album comes highly recommended to lovers of big band music and is an essential purchase for Peter Erskine fans. --- Erik Werkman, amazon.com

download (mp3 @320 kbs):

uploaded yandex 4shared mega mediafire zalivalka cloudmailru oboom uplea

back