Jazz

Teddy Wilson - 1947-1950 (The Chronogical Classics) (2002)

2012-09-23T17:08:39Z

Teddy Wilson - 1947-1950 (The Chronogical Classics) (2002)


1 The Sheik Of Araby (Smith, Wheeler, Snyder) 2:38
2 Limehouse Blues (Furber, Braham) 2:53
3 After You've Gone (Creamer, Layton) 2:40
4 Georgia on my Mind (Carmichael, Gorrell) 3:08
5 Chinatown, My Chinatown (Schwartz, Jerome) 2:42
6 Bess, You Is My Woman Now (Gershwin, Heyward, Gershwin) 3:02
7 Whispering (Schoenberg, Rose, Coburn) 2:44
8 Just Like A Butterfly (Dixon, Woods) 2:51
9 Something I Dreamed Last Night (Magidson, Yeller, Fain) 3:23
10 As Time Goes By (Hapfeld) 2:57
11 Isn't It Romantic (Rodgers, Hart) 2:48
12 These Foolish Things (Link, Strachey, Maschwitz) 3:18
13 Just One Of Those Things (Porter) 2:14
14 Just Like A Butterfly (Dixon, Woods) 2:29
15 Runnin' Wild (Gibbs, Grey, Wood) 1:30
16 I've Got The World On A String (Arlen, Koehler) 2:44
17 Fine And Dandy (Swift, James) 1:39
18 Ghost Of A Chance (Young, Washington, Crosby) 1:59
19 Honeysuckle Rose (Waller, Razaf) 1:55
20 Between the Devil and the Deep Blue Sea (Arlen, Koehler) 2:08
21 Bess, You is My Woman Now (Gershwin, Heyward, Gershwin) 2:41
22 I Can't Give You Anything But Love (McHugh, Fields) 2:52
23 After You've Gone (Creamer, Layton) 3:02

Personnel:

[#1-4] Teddy Wilson Quartet
Teddy Wilson - p
Buck Clayton - tp
Billy Taylor - b
Densil Best - dr
Recorded in New York City ; December 3, 1947

[#5-12] Teddy Wilson Trio
Kay Penton - voc
Teddy Wilson - p
Billy Taylor - b
William "Keg" Purnell - dr
Recorded in New York City ; December 15-18, 1947

[#13-19] Teddy Wilson Trio
Teddy Wilson - p
Arvell Shaw - b
J. C. Heard - dr
Recorded in New York City ; June 29, 1950

[#20-23] Teddy Wilson Trio
Teddy Wilson - p
Al McKibbon - b
Kansas Fields - dr
Recorded in New York City ; August 25, 1950

Teddy Wilson was the definitive swing pianist, a solid and impeccable soloist whose smooth and steady style was more accessible to the general public than Earl Hines or Art Tatum. He picked up early experience playing with Speed Webb in 1929 and appearing on some Louis Armstrong recordings in 1933. Discovered by John Hammond, Willie joined Benny Carter's band and recorded with the Chocolate Dandies later that year. In 1935, he began leading a series of classic small-group recordings with swing all-stars which on many occasions featured Billie Holiday. That was also the year that an informal jam session with Benny Goodman and Gene Krupa resulted in the formation of the Benny Goodman Trio (Lionel Hampton made the group a quartet the following year). Although he was a special added attraction rather than a regular member of the orchestra, Wilson's public appearances with Goodman broke important ground in the long struggle against segregation.

Between his own dates, many recordings with Benny Goodman's small groups and a series of piano solos, Teddy Wilson recorded a large number of gems during the second half of the 1930s. He left B.G. in 1939 to form his own big band but, despite some fine records, it folded in 1940. Wilson led a sextet at Cafe Society during 1940-1944, taught music at Juilliard during the summers of 1945-1952, appeared on radio shows, and recorded regularly with a trio, as a soloist and with pick-up groups in addition to having occasional reunions with Goodman. Teddy Wilson's style never changed, and he played very similar in 1985 to how he sounded in 1935; no matter, the enthusiasm and solid sense of swing were present up until the end. --- Scott Yanow ,Rovi

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Teddy Wilson - Jazz Masters 93

2009-10-20T12:32:23Z

Teddy Wilson - Jazz Masters 93

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Teddy Wilson - Tea For Two (1936)

2018-09-11T14:30:58Z

Teddy Wilson - Tea For Two (1936)


1 	I Cried for You	3:14 	
2 	Guess Who	3:12 	
3 	You Came to My Rescue	3:03 	
4 	Here's Love in Your Eyes	3:04 	
5 	You Turned the Tables on Me		2:54 	
6 	Sing, Baby, Sing	2:51 	
7 	Easy to Love	3:11 	
8 	With Thee I Swing	3:16 	
9 	The Way You Look Tonight	3:01 	
10 	Who Loves You?	3:13 	
11 	Pennies from Heaven	3:17 	
12 	That's Life I Guess		3:08 	
13 	Sailin'		2:51 	
14 	I Can't Give You Anything But Love	3:27 	
15 	Right or Wrong (I'm with You)	3:26 	
16 	Where the Lazy River Goes By	2:52 	
17 	Tea for Two	3:12 	
18 	I'll See You in My Dreams	2:39 	
19 	He Ain't Got Rhythm		2:51 	
20 	This Year's Kisses	3:08 

Harry Carney 	Clarinet, Sax (Alto)
Buck Clayton 	Trumpet
Cozy Cole 	Drums
Benny Goodman 	Clarinet
Harry Goodman 	String Bass
Freddie Green 	Guitar
Gordon Griffin 	Trumpet
Redd Harper 	Vocals
Milt Hinton 	String Bass
Johnny Hodges 	Sax (Alto)
Billie Holiday 	Vocals
John Jackson 	Sax (Alto)
Joe Craig Jones 	Drums
Jonah Jones 	Trumpet
John Kirby 	String Bass
Gene Krupa 	Drums
Lawrence Lucie 	Guitar
Vido Musso 	Clarinet, Sax (Tenor)
Walter Page 	String Bass
Irving "Mouse" Randolph 	Trumpet
Allan Reuss 	Guitar
Ben Webster 	Sax (Tenor)
Midge Williams 	Vocals
Teddy Wilson 	Primary Artist
Lester Young 	Sax (Tenor)

Teddy Wilson was one of the swing era's finest pianists, a follower of Earl Hines' distinctive "trumpetstyle" piano playing. Wilson forged his own unique approach from Hines' influence, as well as from the styles of Art Tatum and Fats Waller. He was a truly orchestral pianist who engaged the complete range of his instrument, and he did it all in a slightly restrained, wholly dignified manner at the keyboard.

Raised in Tuskegee, Alabama, Wilson studied piano at nearby Talladega College for a short time. Among his first professional experiences were Chicago stints in the bands of Jimmie Noone and Louis Armstrong. In 1933, he moved to New York to join Benny Carter's band known as the Chocolate Dandies, and made records with the Willie Bryant band during 1934-35. In 1936, he became a member of Benny Goodman's regular trio, which included drummer Gene Krupa, and remained until 1939, participating on a number of Goodman's small group recordings. Wilson was the first African- American musician to work with Goodman, one of the first bandleaders to integrate a jazz band. Wilson later appeared as himself in the cinematic treatment of The Benny Goodman Story.

During his time with Goodman, Wilson made some of his first recordings as a leader. These records featured such greats as Lester Young, Billie Holiday, Lena Horne, and Ella Fitzgerald. Wilson's arrangements with Holiday in particular constitute some of the singer's finest work, mostly due to Wilson's ability to find the right sound to complement Holiday's voice and singing style.

Following his Goodman days, Wilson led his own big band for a short time, but most of his work came with his own small groups, particularly a sextet that played regularly at the famous Cafe Society in New York. In 1946, he was a staff musician at CBS Radio, and also conducted his own music school. During the early 1950s, he taught at the Juilliard School, one of the first jazz musicians to do so. Wilson's relationship with Goodman was his most noted, and was an ongoing factor in his work. He was part of Goodman's storied Soviet tour in 1962, and continued to work occasional festival gigs with the clarinetist. ---arts.gov

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Teddy Wilson with Billie Holiday and Midge Williams - Of Thee I Swing (1990)

2016-03-10T16:46:42Z

Teddy Wilson with Billie Holiday and Midge Williams - Of Thee I Swing (1990)


01. You Turned the Tables on Me (2:58)
02. Sing, Baby, Sing (2:54)
03. Easy to Love (3:16)
04. With Thee I Swing (3:21)
05. The Way You Look Tonight (3:05)
06. Who Loves You? (3:16)
07. Pennies from Heaven (3:17)
08. That's Life (I Guess) (3:10)
09. Sailin' (2:51)
10. I Can't Give You Anything But Love Baby (3:28)
11. I'm with You (Right or Wrong) (3:26)
12. Where the Lazy River Goes By (2:53)
13. Tea for Two (3:16)
14. I'll See You in My Dreams (2:42)
15. He Ain't Got Rhythm (2:55)
16. This Year's Kisses (3:13)
17. Why Was I Born (2:56)
18. I Must Have That Man (3:02)
19. The Mood That I'm In (3:06)
20. You Showed Me the Way (3:04)

Henry "Red" Allen - Trumpet
Buck Clayton - Trumpet
Cozy Cole - Drums
Benny Goodman - Clarinet
Harry Goodman - Standup Bass
Freddie Green - Guitar
Lionel Hampton - Vocals (Background)
Milt Hinton - Standup Bass
Billie Holiday - Vocals
Jo Jones -Drums
Jonah Jones - Trumpet
John Kirby - Standup Bass
Gene Krupa - Drums
Jimmy McLin - Guitar
Vido Musso - Sax (Tenor)
Walter Page - Standup Bass
Allan Reuss - Guitar
Prince Robinson - Sax (Tenor)
Cecil Scott - Clarinet, Sax (Alto), Sax (Tenor)
Ben Webster - Sax (Tenor)
Midge Williams - Vocals
Teddy Wilson - Piano
Lester Young - Sax (Tenor)

Hep's Teddy Wilson series sticks to his all-star band sides (skipping his solo piano performances), many of which feature the vocals of Billie Holiday. This entry starts with a pair of vocals by the long-forgotten Redd Harper ("You Turned the Tables on Me" and "Sing, Baby, Sing"), has two spots for the talented singer Midge Williams and also a couple of instrumentals; otherwise, the set is comprised of Holiday vocals that are readily available in more complete form elsewhere. The highlight is Lady Day's first recorded meeting with tenor saxophonist Lester Young and trumpeter Buck Clayton which resulted in "He Ain't Got Rhythm," "This Year's Kisses," "Why Was I Born," and "I Must Have That Man." ---Scott Yanow, Rovi

This may not be the most "groundbreaking" jazz of the late 1930s, but who cares? In my opinion, Teddy Wilson's Orchestra produced some of the most consistently tasteful, enjoyable records of the decade. With Benny Goodman, Gene Krupa, Lionel Hampton, Ben Webster, Jonah Jones, Red Allen, Lester Young, John Kirby, Buck Clayton, Cozy Cole, and so many other greats in the band, how can you miss? And don't forget the dozen or so vocals by Billie Holiday! There's a relaxed elegance to these sides and they just fall so pleasantly on the ears. There's plenty of swing here, but most of the selections are taken at a moderate tempo. The sound restoration by John R. T. Davies is superb--clear and robust sound with minimal surface noise and no digital artifacting. Frank Driggs has contributed some good liner notes and full discographical information is included. Every jazz collector should have at least one Teddy Wilson CD, and this is a good one to have. Highly recommended! --- "Gimpy" Peach Johnson, amazon.com

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Teddy Wilson – Jumpin’ For Joy (1934–1953) Vol.1 1934-35 [1990]

2011-04-02T09:07:48Z

Teddy Wilson – Jumpin’ For Joy (1934–1953) Vol.1 1934-35 [1990]


1. Somebody Loves Me (Gershwin – De Sylva – McDonald) 3:05
2. Sweet And Simple (Henderson – Caesar – Yellen) 3:22
3. Liza (Gershwin – Gershwin) 3:07
4. Rosetta (Hines – Wood) 3:08
5. I Wished On The Moon (Parker – Rainger) 3:07
6. What A Little Moonlight Can Do (Woods) 3:01                    play
7. Miss Brown To You (Robin – Rainger – Whiting) 3:03
8. A Sunbonnet Blue (Kahal – Fain) 2:54
9. What A Night, What A Moon, What A Girl (Loeb) 2:59
10. I’m Painting The Town Red (Stept – Tobias – Newman) 3:01
11. It’s Too Hot For Words (Samuels – Whitcup – Powell) 2:49
12. Sweet Lorraine (Parish – Burwell) 3:06                       play
13. Liza 	2:39
14. Every Now And Then (Lewis – Sherman – Silver) 3:18
15. It Never Dawned On Me (Coots – Lewis) 3:11
16. Liza (Gershwin – Gershwin) 2:58
17. Rosetta (Hines – Wood) 2:54
18. Twenty-Four Hours A Day (Swanstrom – Dandley) 3:03
19. Yankee Doodle Never Went To Town (Freed – Hanighen) 2:46
20. Eeny Meeny Miny Mo (Mercer – Malneck) 3:15
21. If You Were Mine (Mercer – Malneck) 3:11
22. I Found a Dream 	3:09
23. On Treasure Island	2:54

Few jazz records have endured quite as well as Teddy Wilson's 1930 music. Wilson arrived in New York as, on the basis of the four solo titles which open the first CD, an enthusiastic young stride pianist, already under the spell of Earl Hines and of Art Tatum, with whom he worked as a two-man piano team. But even here there are the signs of an individual whose meticulous, dapper delivery and subtle reading of harmony would be hugely influential. Amazingly, everything is in place by the time of the first band session in July 1935: the initial line-up includes Eldridge, Goodman and Webster, and the singer is Billie Holiday, who would feature as vocalist on most of Wilson's pre-war records. Two classics were made immediately - "What a Little Moonlight can Do" and "Miss Brown to You" - and the style was set: a band chorus, a vocal, and another chorus for the band, with solos and obbligatos in perfect accord with every other note and accent. All the others seem to take their cue from the leader's own poise, and even potentially unruly spirits such as Eldridge and Webster behave. The first of this comprehensive 10 CD box includes 8 piano solos and 12 band sides, and it's a delight from start to finish, even though there is better to come. The issue of this box is complicated by Holiday's presence, for all of her tracks with Wilson are now also available on discs under her own name. ---Penguin Guide

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Teddy Wilson – Jumpin’ For Joy (1934–1953) Vol.10 1947-1950 (1990)

2011-04-10T09:07:03Z

Teddy Wilson – Jumpin’ For Joy (1934–1953) Vol.10 1947-1950 (1990)


 01. The Sheik Of Araby (2:39)
 02. Limehouse Blues (2:54)
 03. After You've Gone (2:41)
 04. Georgia On My Mind (3:09)
 05. Chinatown, My Chinatown (2:43)
 06. Bess, You Is My Woman Now (3:03)
 07. Whispering (2:44)
 08. Just Like A Butterfly (2:52)
 09. Something I Dreamed Last Night (3:24)
 10. As Time Goes By (2:57)
 11. Isn't It Romantic (2:48)
 12. These Foolish Things (3:19)
 13. Just One Of Those Things (2:15)
 14. Just Like A Butterfly (2:30)
 15. Runnin' Wild (1:30)
 16. I've Got The World On A String (2:45)
 17. Fine And Dandy (1:39)
 18. Ghost Of A Chance (1:59)
 19. Honeysuckle Rose (1:56)
 20. Between The Devil And The Deep Blue Sea (2:08)
 21. Bess, You Is My Woman Now (2:42)
 22. I Can't Give You Anything But Love (2:52)
 23. After You've Gone (3:03)

This anthology of Teddy Wilson recordings made under his own name in the 1930's and 1940's is quite superb. As well as the leader, there are contributions from most of the major soloists of the era including the trumpets of Roy Eldridge, Bill Coleman, Buck Clayton, Harry James, Charlie Shavers and Bobby Hackett; the saxophones of Ben Webster, Lester Young, Johnny Hodges and Benny Carter; the xylophone of Red Norvo; the clarinet of Benny Goodman and the drums of Jo Jones and Cozy Cole. In addition to all this talent, there are vocals by Billie Holiday, Ella Fitzgerald, Mildred Bailey, Lena Horne, Helen Ward, Maxine Sullivan and Sarah Vaughan.

Sadly, as with all Membran issues, no discographical details are included. However the music is magnificent and arranged in roughly chronological order. It can be divided as follows: Firstly, there are a number of piano solos from both the 30's and the 40's. All are excellent, technically proficient, have a splendid swing and great delicacy of construction. Wilson was one of the great piano stylists of the swing era and these solo tracks are among his finest.

Secondly are his great 'swing-sing' pick-up bands from the late 30's. All the famous, and superb, tracks with Billie Holiday are included. As well as some purely instrumental sides like 'Just a Mood' (which contains what is probably Harry James's finest solo on record), 'Blues in C Sharp Minor' and (with superb Bobby Hackett and Johnny Hodges) 'Jungle Love', there are also some with vocalists other than Billie which are all excellent. These tracks have often been overlooked and it is delightful to have them here.

Thirdly, are some recordings of Teddy Wilson's short-lived big band. The major soloists were Ben Webster and the leader and the arrangements (mainly by Buster Harding) are first class. Another excellent group of recordings - well worth hearing. Finally, there is a group of recordings from the mid 1940's. These include a small-group with Charlie Shavers and Red Norvo and various pick-up bands. Once again, the quality is excellent and many unfamiliar items are included. The remastering quality is excellent and, at its very reasonable price, this fine anthology can be recommended without reservation.

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Teddy Wilson – Jumpin’ For Joy (1934–1953) Vol.11 1952-1953 (1990)

2015-05-25T15:45:19Z

Teddy Wilson – Jumpin’ For Joy (1934–1953) Vol.11 1952-1953 (1990)


 01. You're Mine You (2:38)
 02. I Got Rhythm (2:52)
 03. Someone To Watch Over Me (3:05)
 04. Indiana (3:15)
 05. Time On My Hands (3:07)
 06. Sweet Georgia Brown (2:43)
 07. I Can't Get Started (2:46)
 08. Takin' A Chance On Love (3:12)
 09. The One I Love (2:59)
 10. Darn That Dream (2:17)
 11. Tea For Two (3:19)
 12. Oh, Lady Be Good! (3:00)
 13. Emaline (2:36)
 14. Tenderly (3:09)
 15. Everything Happens To Me (3:12)
 16. Liza (2:26)			play
 17. Nice Work If You Can Get It (2:58)
 18. Airmail Special (3:20)
 19. Night And Day (2:59)
 20. Cheek To Cheek (3:53)			play
 21. East Of The Sun (3:08)
 22. Autumn In New York (2:46)
 23. Isn't It Romantic? (4:09)
 24. You Go To My Head (3:06)

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Teddy Wilson – Jumpin’ For Joy (1934–1953) Vol.2 1935-1936 [1990]

2011-04-02T18:51:04Z

Teddy Wilson – Jumpin’ For Joy (1934–1953) Vol.2 1935-1936 [1990]

 01. These'n' That'n' Those (3:16)
 02. Sugar Plum (3:03)
 03. You Let Me Down (2:55)
 04. Spreadin' Rhythm Around (2:58)
 05. I Feel Like A Feather In The Breeze (Gordon – Revel) 3:15           play
 06. Breaking In A Pair Of Shoes (3:10)
 07. Life Begins When You're In Love (3:08)
 08. (If I Had) Rhythm In My Nursery Rhymes (3:04)
 09. Christopher Columbus (2:46)
 10. My Melancholy Baby (3:02)
 11. All My Life (3:15)
 12. Mary Had A Little Lamb (2:56)
 13. Too Good To Be True (3:11)
 14. Warmin' Up (3:14)
 15. Blues In C Sharp Minor (Wilson) 3:16                              play
 16. It's Like Reaching For The Moon (3:27)
 17. These Foolish Things (3:23)
 18. Why Do I Lie To Myself About You (3:10)
 19. I Cried For You (3:17)
 20. Guess Who (3:15)
 21. You Came To My Rescue (3:06)
 22. Here's Love In Your Eyes (3:04)

Wilson hit his stride as this long series of sessions proceeded. The next two Cds are laden with fine music, and Billie Holiday's contributions assume greatness: the six tracks she sings on CD2 and the eleven on CD3 number among her finest records, and the mixed quality of the materia prima seems to make no difference to her. Just as Lionel Hampton began pilfering men from local big bands for his Victor sessions, so Wilson organized similar contingents for his records, and some of these bands are drawn from either the Goodman or the Basie orchestra, although one offbeat session features Henry "Red" Allen, Cecil Scott and Prince Robinson. The spotlight is off Wilson to some extent, but one of the major reasons for the success of these dates is the light, singing fluency of the rhythm section, and the pianist's unemphatic but decisive lead is the prime reason for that. Ella Fitzgerald sings on one session on CD2 and Midge Williams, Helen Ward and Red Harper take their turns at the microphone, but it's Holiday one remembers. Lester Young's association with the singer also starts here; his solos are really as memorable as the offerings by Buck Clayton, Benny Goodman or Roy Eldridge. ---Penguin Guide

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Teddy Wilson – Jumpin’ For Joy (1934–1953) Vol.3 1937 (1990)

2011-04-03T09:06:59Z

Teddy Wilson – Jumpin’ For Joy (1934–1953) Vol.3 1937 (1990)


 01. How Could You? (2:33)
 02. Moanin' Low (3:06)
 03. Fine And Dandy (2:38)
 04. There's A Lull In My Life (3:16)
 05. It's Swell Of You (3:01)
 06. How Am I To Know? (3:22)
 07. I'm Coming, Virginia (2:45)
 08. Sun Showers (3:09)
 09. Yours And Mine (3:18)
 10. I'll Get By (3:09)
 11. Mean To Me (3:10)
 12. Foolin' Myself (3:03)
 13. Easy Living (3:03)
 14. I'll Never Be The Same (3:04)
 15. I've Found A New Baby (2:43)
 16. You're My Desire (3:11)
 17. Remember Me? (2:47)
 18. The Hour Of Parting (3:16)
 19. Coquette (2:47)			play
 20. Big Apple (2:52)
 21. You Can't Stop Me From Dreamin' (2:56)
 22. If I Had You (3:16)
 23. You Brought A New Kind Of Love To Me (2:55)
 24. Ain't Misbehavin' (3:03)     play

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Teddy Wilson – Jumpin’ For Joy (1934–1953) Vol.4 1937-1938 (1990)

2011-04-04T08:41:07Z

Teddy Wilson – Jumpin’ For Joy (1934–1953) Vol.4 1937-1938 (1990)


 01. Ain't Misbehavin' (2:49)
 02. Just A Mood (Blue Mood) Part I (3:26)
 03. Just A Mood (Blue Mood) Part II (3:27)
 04. Honeysuckle Rose (3:15)
 05. Nice Work If You Can Get It (3:10)
 06. Things Are Looking Up (3:22)
 07. My Man (3:03)
 08. Can't Help Lovin' Dat Man (3:17)
 09. Don't Blame Me (3:04)
 10. Between The Devil And The Deep Blue Sea (2:42)
 11. My First Impression Of You (2:54)
 12. With A Smile And A Song (3:04)
 13. When You're Smiling (2:58)
 14. I Can't Believe That You're In Love With Me (2:38)
 15. My First Impression Of You (2:51)
 16. When You're Smiling (2:52)
 17. I Can't Believe That You're In Love With Me (2:51)
 18. If Dreams Come True (3:05)
 19. Moments Like This (3:07)
 20. I Can't Face The Music (3:04)
 21. Don't Be That Way (3:08)
 22. If I Were You (2:58)
 23. You Go To My Head (3:17)

This is jazz of such a consistently high level that it seems churlish to offer criticism. The first 1937 tracks are magnificent, the first five sessions as strong in material as they are in performances: "Mean to me", "I'll get by", "How am I to know", and more. These are also among Holiday's greatest records. CD 5 includes the September 1937 sessions which offered the memorable two-part "Just a Mood" quartet with Harry James and Red Norvo. ---Penguin Guide

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