1. "Man! I Feel Like a Woman!" – 3:53
2. "I'm Holdin' On to Love (To Save My Life)" – 3:30
3. "Love Gets Me Every Time" – 3:33
4. "Don't Be Stupid (You Know I Love You)" – 3:35
5. "From This Moment On" – 4:43 (duet with Bryan White)
6. "Come on Over" – 2:55
7. "When" – 3:39
8. "Whatever You Do! Don't!" – 3:47
9. "If You Wanna Touch Her, Ask!" – 4:04
10. "You're Still the One" – 3:34
11. "Honey, I'm Home" – 3:39
12. "That Don't Impress Me Much" – 3:38
13. "Black Eyes, Blue Tears" – 3:39
14. "I Won't Leave You Lonely" – 4:13
15. "Rock This Country!" – 4:23
16. "You've Got a Way" – 3:24

Accordion – Joey Miskulin (tracks: 6, 14)
Acoustic Guitar, Acoustic Guitar [Nylon String Guitar], Electric Guitar [Electric Riff Guitar],
 Rhythm Guitar [Electric Rhythm Guitar] – Biff Watson
Backing Vocals – Mutt (8), Shania
Bass [Electric & Fretless Bass] – Joe Chemay
Drums – Paul Leim
Electric Guitar [Electric Guitar Lix] – Brent Mason (tracks: 1 to 4, 7, 8, 11 to 13, 15)
Electric Guitar [Electric Guitar Solos] – Brent Mason (tracks: 3, 7, 12)
Electric Guitar [Electric Riff Guitar], Rhythm Guitar [Electric Rhythm Guitar],
 Guitar [All Guitar Textures], Talkbox, Twelve-String Guitar [Electric 12-String],
  Guitar [Wa-Wa], Bass [6-String Bass], Sitar [Electric Sitar] – Dann Huff
Electric Piano [Wurlitzer] – John Hobbs (tracks: 1, 9), John Jarvis (tracks: 4)
Fiddle – Larry Franklin (tracks: 4, 6, 8, 11, 15), Rob Hajacos (tracks: 3, 13), Stuart Duncan (tracks: 1)
Fiddle [Gang Fiddles] – Bow Bros (tracks: 1, 3, 4, 8, 11, 13, 15)
Guitar [Solos] – Dann Huff (tracks: 1, 2, 5, 11, 13)
Lap Steel Guitar [Lap Steel & Solo] – Bruce Bouton (tracks: 9)
Mandolin – Eric Silver (tracks: 6, 7, 10)
Organ – Arthur Stead (tracks: 6, 7, 9), John Hobbs (tracks: 10)
Pedal Steel Guitar – Bruce Bouton (tracks: 8, 10), John Hughey (tracks: 5, 6, 14),
 Paul Franklin (tracks: 1 to 4, 7, 11 to 13, 15)
Piano [Acoustic Piano] – Arthur Stead (tracks: 6), John Hobbs (tracks: 14),
 John Jarvis (tracks: 2, 3, 10, 13), Michael O'Martian* (tracks: 5, 9)
Slide Guitar – Larry Byrom (tracks: 1, 11)
Steel Guitar [Cosmic Steel & Solo] – Paul Franklin (tracks: 8)
Steel Guitar [Steel Solo] – Bruce Bouton (tracks: 10)
Synthesizer – Arthur Stead (tracks: 5, 16) 

Shania Twain's second record, The Woman in Me, became a blockbuster, appealing as much to a pop audience as it did to the country audience. Part of the reason for its success was how producer Robert John "Mutt" Lange -- best-known for his work with Def Leppard, the Cars, and AC/DC -- steered Twain toward the big choruses and instrumentation that always was a signature of his speciality, AOR radio. Come on Over, the sequel to The Woman in Me, continues that approach, breaking from contemporary country conventions in a number of ways. Not only does the music lean toward rock, but its 16 songs and, as the cover proudly claims, "Hour of Music," break from the country tradition of cheap, short albums of ten songs that last about a half-hour. Furthermore, all 16 songs and Lange-Twain originals and Shania's sleek, sexy photos suggest a New York fashion model, not a honky tonker. And there isn't any honky tonk here, which is just as well, since the fiddles are processed to sound like synthesizers and talk boxes never sound good on down-home, gritty rave-ups. No, Shania sticks to what she does best, which is countrified mainstream pop. Purists will complain that there's little country here, and there really isn't. However, what is here is professionally crafted country-pop -- even the filler (which there is, unfortunately, too much of) sounds good -- which is delivered with conviction, if not style, by Shania, and that is enough to make it a thoroughly successful follow-up to one of the most successful country albums by a female in history. ---Stephen Thomas Erlewine, AllMusic Review

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01. Swingin' with My Eyes Closed 	3:33
02. Home Now 		3:21
03. Light of My Life	 3:36
04. Poor Me 	3:21
05. Who's Gonna Be Your Girl 	4:13
06. More Fun 		3:38
07. I'm Alright 		3:51
08. Let's Kiss and Make Up 	3:59
09. Where Do You Think You're Going	 3:22
10. Roll Me on the River 	3:06
11. We Got Something They Don't 	3:28
12. Because of You 	3:47
13. You Can't Buy Love 		2:39
14. Life's About to Get Good 		3:40
15. Soldier 	2:59
16. All in All 	3:43

David Angell 	Violin
Ron Aniello 	Bass, Drums, Fender Rhodes, Guitars, Hammer, Keyboards, Organ, Piano, Synthesizers, Wurlitzer  
Eli Beard 	Bass
Roy Bittan 	Piano
Dan Brook 	Keyboards
Roget Chahayed 	Piano, Synthesizer
Matt Chamberlain 	Drums
Jude Cole 	Guitar (Acoustic)
Max Collins 	Bass, Drum, Drums
Adam Coltman 	Handclapping
Tommy Culm 	Handclapping
Eric Darken 	Chimes, Percussion, Programming, Vibraphone
George Deoring 	Ukulele
Kris Donegan 	Guitar (Acoustic), Guitar (Electric), Tiple
Ian Fitchuk 	Drums, Organ, Piano
Jake Gosling 	Drums, Fender Rhodes, Guiro, Handclapping, Organ, Percussion, Piano, Synthesizer, Tambourine
Peter Gosling 	Piano
Matthew Koma 	Arranger, Bass, Guitar (Acoustic), Guitar (Electric), Synthesizer, Vocals (Background), Vocoder
Tim Lauer 	Keyboards, Mellotron, Strings
Jordan Lefing 	Horn Arrangements
Greg Leisz 	Dobro, Pedal Steel
Chris Leonard 	Bass, Guitar (Acoustic), Guitar (Electric), Handclapping
Darrell Leonard 	Flugelhorn
Kris Mazzarisi 	Drums
Andy Nixon 	Drums
Dave Palmer 	Piano
Noam Pikely 	Banjo
Hilda Sarighani Reis 	Cello
Steve Richards 	Cello
Leif Shires 	Trumpet
Spencer Thomson 	Guitar (Electric), Keyboards, Programming
Shania Twain 	Composer, Guitar (Electric), Keyboards, Vocals, Vocals (Background)
Oscar Utterström 	Trombone
Mike Viola 	Guitar, Guitar (Electric)
Jason Wade 	Vocals (Background)
Chris West 	Sax (Baritone)
Kristin Wilkinson 	Viola
Gabe Witcher 	Violin 

Shania Twain entered a self-imposed exile following the supporting tour for 2002's Up!, suffering from a then-undisclosed contraction of Lyme disease. Troubles compounded, as they often do. Twain split from her husband, Robert John "Mutt" Lange, in 2008, a traumatic event on its own that was complicated by the fact that he was her collaborator on the blockbusters The Woman in Me (1995), Come on Over (1997), and Up! This meant she had to start over personally and professionally, which explains the long delay between Up! and Now, which was released in September of 2017. Many trends have come and gone during that 15-year gap and Twain -- assisted by not one producer but a roundtable, as is standard for 21st century blockbusters -- decides to split the difference between chasing fashion and staying true to her glitzy country-pop. It's a tricky move made harder by the fact that so much of her '90s appeal rested on her unfettered exuberance, and that sunniness is understandably tarnished due to the bruises she sustained during her difficult hiatus. Twain addresses this pain on Now -- sometimes directly, sometimes elliptically -- but she makes it plain that she's come out from the darkness, celebrating that she's "Home Now" with the "Light of My Life" and "Life's About to Get Good." Worthy sentiments all, but the problem is these songs -- and Now in general -- don't feel nearly as bright and cheerful as Twain's records with Lange, nor do they deliver the same kind of sweet, sentimental rush on the ballads. Now is melodically undernourished, with hooks never quite materializing in either the choruses or the excessively polished arrangements designed to support Twain, not sell the tracks. That production, a mishmash of Vegas showstoppers and feints toward the electronic-glazed AAA charts, feels as hesitant and inarticulate as the songs. Sometimes, Twain's signature charm surfaces -- "Because of You" has a lovely, gentle sway, "You Can't Buy Love" is a fizzy bit of bubblegum in the vein of Amy Winehouse's "Valerie" (unfortunately both are buried deep into the album) -- but Now feels fussy, as if every element was triple-guessed because the pressure to have a triumphant comeback was too great. ---Stephen Thomas Erlewine, AllMusic Review

Legenda country powraca z nowym materiałem! Po trzech dekadach nieprzerwanej obecności na rynku jako „najlepiej sprzedająca się artystka country wszech czasów” Shania Twain powraca w wielkim stylu z piątym pełnowymiarowym albumem odważnie zatytułowanym „Now”. Pierwsze wydawnictwo od 15 lat jest ważnym krokiem w karierze wokalistki. Po raz pierwszy Shania była jedyną autorką tekstów oraz doglądała produkcji nowego krążka jako ko-producentka wszystkich 16 utworów.

Artystka nie miała łatwej drogi do sukcesu. Trudne początki w Ontario w Kanadzie jedynie zmotywowały Shanię do ciężkiej pracy, która zaprocentowała pięcioma nagrodami Grammy, 90 milionami sprzedanych albumów i tytułem „królowej country popu”. Shania jest również autorką wielkiego przeboju „From This Moment” i trzech diamentowych albumów „The Woman In Me”, „Come On Over” i „Up”. Za sprawą hitów „Honey I’m Home”, „Man! I Feel Like A Woman” czy „Come On Over” jej głos poznał cały świat.

Shania poza byciem fenomenalną wokalistką jest też prawdziwą fighterką. Artystka przez wiele lat zmagała się z wyniszczającą boreliozą. Artystka wyszła zwycięsko z walki z chorobą i i ze zdwojoną siła wróciła do koncertowania podczas dwuletniej rezydencji w Las Vegas. W 2015 Shania wyruszyła w trase koncertową „Rock This Country”, która okazała się wielkim sukcesem. Shania została wówczas nagrodzona Icon Award przez magazyn Billboard w kategorii Women In Music. Płytę promuje singiel „Life’s About To Get Good”. –-empik.com

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01. I’m Gonna Getcha Good! (Live)
02. You Win My Love (Live)
03. Don’t Be Stupid (You Know I Love You) [Live]
04. Up! (Live)
05. I Ain’t No Quitter (Live)
06. No One Needs To Know (Live)
07. Whose Bed Have Your Boots Been Under? (Live)
08. Any Man of Mine (Live)
09. That Don’t Impress Me Much (Live)
10. Honey, I’m Home (Live)
11. (If You’re Not In It For Love) I’m Outta Here! (Live)
12. Come On Over (Live/Acoustic)
13. Love Gets Me Every Time (Live/Acoustic)
14. Rock This Country! (Live/Acoustic)
15. Today Is Your Day (Live/Acoustic)
16. You’re Still the One (Live)
17. From This Moment On (Live)
18. Red Storm (Live)
19. Man! I Feel Like a Woman! (Live)

International superstar Shania Twain wrapped up her successful two-year residency in Las Vegas, NV as her SHANIA: Still the One stage show came to a close in December. The five-time GRAMMY winner entertained concert-goers from all over the world at the Colosseum at Caesars Palace during the course of her 105 performances and now, fans have an opportunity to bring the Vegas production home with the release of Twain's live Blu-ray Shania Twain: Still the One Live From Vegas via Eagle Rock Entertainment on April 7, 2015.

Produced by Twain and directed by Raj Kapoor, Live from Vegas captures the full SHANIA: Still the One stage performance, plus the bonus feature "Backstage Pass," which boasts over an hour of never-before-seen behind-the-scenes footage tracking the conception, training, rehearsals, costumes and all decisions in-between that go into creating a one-of-a-kind experience for the audience. The show – a powerful journey through Shania's biggest hits, country favorites, and beloved crossover songs – features a 13-piece live band, dancers, trained horses, a flying motorcycle and plenty of Vegas flash.

"This show has been my labor of love for over three years," shares Twain. "It has meant so much to me and was such a privilege to live out my visions on that stage, and it is so exciting to now get to share the whole experience with the fans all over the world!". --- blu-ray.com

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1. 	"Forever and for Always" (Red Radio Edit) 	4:03
2. 	"I'm Gonna Getcha Good!" (Red Radio Edit) 	4:02
3. 	"Up!" (Red Album Version†) 	2:53
4. 	"Ka-Ching!" (Red Album Version†) 	3:21
5. 	"Come on Over"   	2:54
6. 	"Man! I Feel Like a Woman" (International Version†) 	3:53
7. 	"That Don't Impress Me Much" (UK Dance Mix†) 	4:27
8. 	"From This Moment On" (International Version) (Radio Edit) 	3:55
9. 	"Honey, I'm Home"   	3:36
10. 	"You're Still the One" (Radio Edit without Intro) 	3:14
11. 	"Don't Be Stupid (You Know I Love You)"   	3:34
12. 	"Love Gets Me Every Time"   	3:33
13. 	"No One Needs to Know"   	3:03
14. 	"You Win My Love" (Radio Edit) 	3:45
15. 	"(If You're Not in It for Love) I'm Outta Here!" (Radio Edit) 	3:48
16. 	"The Woman in Me (Needs the Man in You)" (Radio Edit) 	3:57
17. 	"Any Man of Mine"   	4:06
18. 	"Whose Bed Have Your Boots Been Under?" (Radio Edit) 	3:58
19. 	"Party for Two" (with Mark McGrath) (Pop Version) 	3:31
20. 	"Don't!"   	3:55
21. 	"I Ain't No Quitter"   	3:30

Just like the albums her husband/producer Mutt Lange produced for Def Leppard, Shania Twain's albums are designed to generate hit singles for two or three years, which means that each of her blockbuster records -- 1995's The Woman in Me, 1997's Come On Over, 2002's Up! -- already seem like greatest-hits records, since they're filled with huge hits. This makes assembling an actual greatest-hits album a little difficult, since not only is the material overly familiar, but there are so many hits that they're difficult to fit on a single-disc collection. Impressively, 2004's Greatest Hits -- the first compilation Shania has released in her career -- doesn't skimp in either the hits or its actual length. Weighing in at a whopping 21 tracks, it has every big hit from her career, bypassing just a handful of tracks (including anything from her eponymous 1993 debut, plus "God Bless the Child" from 1996 and "It Only Hurts When I'm Breathing" from 2004), none of which are greatly missed. The collection runs in reverse chronological order, beginning with the ballad "Forever and Always" from Up! then running through hits like "Man! I Feel Like a Woman!," "That Don' Impress Me Much," "You're Still the One," "Any Man of Mine" -- all in their most familiar radio mixes, which means pop mixes alternate with country mixes according to the song -- before ending with four new tracks (the gleefully goofy "Party for Two" is featured in two versions, a pop version with Sugar Ray's Mark McGrath and a country version with Billy Currington). Taken as a whole, this is a pretty impressive and consistent body of work -- sure, her hits can be slick, glossy, and silly, but they're infectious, irresistibly catchy, impeccably crafted, and most importantly, still tremendous fun after hundreds of plays. This isn't straight country, but it never pretends that it is. Instead, Twain and Lange poached the catchiest elements from arena rock and adult contemporary pop, peppered it with '90s pop culture references -- anything from bad hair days to Brad Pitt -- and developed a glorious, supersized sound that defined mainstream pop and country for nearly a decade. And, as this wonderful collection proves, Shania's hits not only defined their time, but transcend them, as this Greatest Hits is as fun as pop music can get. ---Stephen Thomas Erlewine, AllMusic Review

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