Disc: 1
1. Ov - Danish Radio Orch/Michael Schonwandt			play
2. Act One, No.1: Intro: See Her, Og Der/Himmel Frels Os/Bryd! Juble Din Kjaede - Danish Radio Chor/Kim Von Binzer/Tina Kiberg
3. Act One, No.2: Cavatina Con Chor: Nei, Vilde Jaeger - Tina Kiberg/Danish Radio Chor
4. Act One, No.3: Duettino Con Chor: Hvi Skjaelver Saa Din Stemme? - Risto Saarman/Tina Kibert/Danish Radio Chor
5. Act One, No.4: Aria Con Chor: Hoit Svulmer Mit Hjerte/Hist I Skumle Faengsel/Din Ild Os Besjaeler.. - Risto Saarman/Danish Radio Chor/Tina Kibert
6. Act One, No.5: Cavatina: Omdufted Af Venlige Dale - Risto Saarman
7. Act One, No.6: Finale: Naar Moen Bliver Kone/Fjeld! Begrav Mig!/Milde Soel, Hvor Er Din Lue?... - Eriko Harbo/Anne Frellesvig/Ulrik Cold/
Risto Saarman/Hedwig Rummel/Birgitte Friboe/Hanne Orvad

Disc: 2
1. Act Two, No.7: Intro: Lystigt Omkring I Susende Ring!/Flojtesolo - Danish Radio Chor/Bodil Oland
2. Act Two, No.8: Spinnlied Der Hexen: Slukken AEdderkop Sidder Paa Tue - Hedwig Rummel/Birgitte Friboe/Danish Radio Chor/Hanne Orvad/Erik Harbo	play
3. Act Two, No.9: Qt: Moder! Horer Jeg Din Rost?/Flojtesolo/Om Dit Eden Svaever Freden/Omt Hvad... - Anne Frellesvig/Risto Saarman/Erik Harbo/Ulrik Cold
4. Act Two, No.10: Duetto: Hvor Hun Er Skjon!/Rolig Hulde, Rolig!/Ubesindige/Hvis Du Kunde Mig... - Anne Frellesvig/Risto Saarman
5. Act Two, No.11: Scena Con Chor: Horer I Sylfer!/Dig Vi Adlyde - Ulrik Cold/Danish Radio Chor
6. Act Two, No.12: Duetto: O, Mindes Du, Naar Hyrdens Toner/Og Naar I Glands Af Stjernevrimlen - Tina Kiberg/Anne Frellesvig
7. Act Two, No.13: Finale: O, Kunde Blot Jeg Give/Flojtesolo/O Sode Tone - Risto Saarman/Erik Harbo/Danish Radio Chor

Disc: 3
1. Act Three, No.14: Intro Ed Aria: Ak, Nei! - Anne Frellesvig
2. Act Three, No.15: Aria: Klang Fra Aandedalens Zone - Anne Frellesvig
3. Act Three, No.16: Marcia Con Chor: Vi Duftende Frugter Dig Bringer - Danish Radio Chor
4. Act Three, No.17: Trinklied Mit Chor Und Tanz: Kloden Maatte Styrte Sammen - Erik Harbo/Danish Radio Chor/Ulrik Cold			play
5. Act Three, No.18: Finale/Melodrama: Hvilken Klagende Klang/Tak Kjaere Flojte/Ha Hvad Seer... - Ulrik Cold/Anne Frellesvig/Tina Kiberg/Erik Harbo/
Danish Radio Chor/Michael Schonwandt/Lane Lind

Performer:  
Risto Saarman – Lulu
Anne Frellesvig – Sidi
Tina Kiberg – Vela
Ulrik Cold – Dilfeng
Erik Harbo – Barca
Kim von Binzer  – A Shepherd
Hjørdis Jakobsen – A Water Elf
Bodil Øland – A Black Elf
Hedwig Rummel – First Witch
Birgitte Friboe – Second Witch
Hanne Ørvad – Third Witch
Lane Lind – Periferihme

Danish Radio Symphony Orchestra,  Danish Radio Chorus
Michael Schonwandt – conductor

Friedrich Kuhlau Opera: Lulu, romantic opera in three Acts, 0p.65, Libretto: Carl Christian Frederik Güntelberg 
First performance 29 October, 1824, Royal Opera house, Copenhagen. 

The great magic opera Lulu from 1824, Kuhlau's operatic masterwork, is based on the same source as Mozart's Die Zauberföte, namely the fairy-tale Lulu, oder Die Zauberflöte in CM Wieland's collection Dschinnistan. The Persian prince prince Lulu is the equivalent to Tamino who sets Sidi (Pamina) free from captivity of the evil wizard Dilfeng (Sarastro). The Ouverture, starting without any slow introduction, contains three individual themes: the furious first theme in D-minor, repeated in D major at he end, depicts Dilfeng and his evil spirits. The second and third themes for woodwind accompanied by cello obligato and a horn solo respectively are lovely melodies reffering to Lulu and Sidi. --- encyclopedia.mitrasites.com

Friedrich Daniel Rudolf Kuhlau (11 September 1786 – 12 March 1832) was a German-Danish composer during the Classical and Romantic periods. He was a central figure of the Danish Golden Age.

He is immortalized in Danish cultural history through his music for Elverhøj, the first true work of Danish National Romanticism and a concealed tribute to the absolute monarchy. To this day it is Kuhlau's version of this melody which is the definitive arrangement.

During his lifetime, he was known primarily as a concert pianist and composer of Danish opera, but was responsible for introducing many of Beethoven's works, which he greatly admired, to Copenhagen audiences. Considering that his house burned down destroying all of his unpublished manuscripts, he was a prolific composer leaving more than 200 published works in most genres.

Friedrich Daniel Rudolf Kuhlau (11 września 1786 – 12 marca 1832) był niemiecko-duńskim kompozytorem klasycznym i romantycznym.

Urodzony w Niemczech, po utracie prawego oka w wypadku ulicznym w wieku lat siedmiu, uczył się gry na pianinie w Hamburgu. Jego ojciec, dziadek i wujek byli oboistami. Chociaż Kuhlau urodził się w biednej rodzinie, jego rodzice płacili za lekcje gry na fortepianie. W roku 1810, uciekł do Kopenhagi, by uniknąć służby wojskowej w Armii Napoleońskiej, która opanowała północne Niemcy, a w roku 1813 został obywatelem Danii. Oprócz długich podróży, mieszkał tam aż do śmierci. Podczas życia, był znany głównie jako pianista oraz kompozytor oper, ale popularyzował też dzieła Beethovena, które podziwiał w Kopenhadze. Biorąc pod uwagę, że jego dom spłonął, niszcząc niepublikowane rękopisy, był płodnym kompozytorem, zostawił ponad 200 utworów w wielu gatunkach. Beethoven, którego Kuhlau znał osobiście, wywarł największy wpływ na jego muzykę.

Napisał koncert fortepianowy, koncert smyczkowy, kilka utworów na pianino w różnych ówczesnych gatunkach: sonaty, sonatiny, walce, ronda i wariacje. Stworzył także kilka dzieł smyczkowych(trzy kwartety i trzy kwintety smyczkowe), utwory muzyki użytkowej oraz kilka oper. Jednak jego najczęściej nagrywanymi i grywanymi dziełami są sonatiny fortepianowe i liczne fletowe utwory. Z powodu swych utworów fletowych dostał przydomek "Beethovena fletu".

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CD1
Quintet for flute, violin, 2 violas & cello in A major, Op. 51/3
01. Allegro con fuoco    [0:13:15.23]
02. Scherzo. Allegro assai quasi presto    [0:04:28.65]
03. Adagio ma non troppo    [0:07:28.32]
04. Finale. Vivace    [0:04:45.53]
Quintet for flute, violin, 2 violas & cello in D major, Op. 51/1
05. Allegro    [0:11:43.17]
06. Menuetto. Allegro con spirito    [0:04:44.58]
07. Adagio ma non troppo    [0:08:17.55]
08. Finale. Allegro assai    [0:07:16.55]

CD2
Quintet for flute, violin, 2 violas & cello in E major, Op. 51/2
01. Adagio ma non troppo    [0:15:02.25]
02. Menuetto    [0:05:01.00]
03. Andante    [0:07:05.33]
04. Finale. Allegro    [0:07:56.45]

Beethoven - Sonata for violin & piano No. 8 in G major, Op. 30/3
05. Allegro assai    [0:07:06.65]
06. Tempo di Minuetto    [0:09:49.32]
07. Allegro vivace    [0:03:44.53]

Toke Lund Christiansen (Flute)
Johannes Soe Hansen (Violin)
Michael Dolgin, Henrik Olsen (Viola)
Troels Svane Hermansen (Cello) 

Friedrich Kuhlau (1786-1832) was a Danish composer active during the late Classical and early Romantic periods. Mozart, Spohr and Weber all had a great influence on his music, but no composer did so much as Beethoven, whom Kulau idolized. He used his prominence in the Copenhagen music scene to grow an audience for Beethoven's music in Denmark. One of his first great successes was the Piano Concerto in C major, Op. 7, modeled so closely on Beethoven's First Piano Concerto as to practically be a pastiche.

Aside from his compositions for solo piano (which hold a firm place in the instrument's pedagogy as well as the repertoire) and the stage works he composed for the Dansh National Opera, Kuhlau's most important area of output was chamber music. He had a firm grasp of the technical and expressive qualities of the flute, an instrument appearing in more than sixty of his chamber works. In the three flute quintets of opus 51 heard on this recording, the quartet of string players is rather uncommonly scored for one violin with two violas and a cello. This instrumentation is indicative of Kuhlau's intention that the flute be not so much a solo instrument in these settings as a member of the ensemble, very much taking on the role of a first violin. At the bottom of the spectrum, the two violas with cello lend a rich, resonant timbre to the body of sound. ---brilliantclassics.com

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